Hey everybody it's me, Scrooloose and the rest of us here at Twinstiq. How's it going? Good? You want a soda? No? Would you settle for a slap-dash list of games we liked from last year (and some prior) written in no particular order, some ranked and some not, hastily put together and edited in collaboration over the last few days with no real format? Yeah, we thought you'd like that. Read more
Well, it's another 12-year anniversary today and that means it's time once again for a retrospective of one of the great consoles of recent gaming history. This time around we have the distinct pleasure of taking a look back at the somewhat-remarkable run of Sony's PlayStation 3. Though news of its release came with lofty expectations, a series of unfortunate decisions over its lifetime (particularly at the start) did keep it from becoming the console titan it was meant to be. Despite this however, an extremely solid and varied library, along with a couple of strategically competitive moves allowed it to still finish out the generation neck and neck with the competition.
Coming off of the runaway successes that were the PS1 and PS2, it seemed as though Sony could do no wrong. Regrettably for them however, this was not the case. In the years and months leading up to the launch, Sony made a series of blunders that all contributed to a less-than-stellar start. For starters, they let Microsoft beat them to launch with the Xbox 360, a full year before the PlayStation 3 would be released. This gave the 360 plenty of time to carve out a decent foothold in the market and prove itself worthy of gamers hard-earned dollars. In addition, Sony selected the uniquely designed Cell processor for their system, which, while theoretically capable of delivering better graphics than the Xbox's more traditional Xenon processor, didn't really do so in practice. Making matters worse was the fact that the Cell's unorthodox design initially caused many third-party developers to struggle to deliver games that looked even as good as the 360 versions.
As if those two shortcomings weren't bad enough, there were two arguably even bigger issues with Sony's system. At the time Sony announced the PS3 to the world, they were in the midst of a legal dispute over the vibration technology in their controllers. As a result, the PS3 ended up having to launch without it. At that point in time, vibration had already been an industry standard for nearly two generations and was utilized with both the PS1 and PS2. More importantly, the previous year's Xbox 360 had it (and even the upcoming Nintendo Wii was advertising it). Sony was eventually able to settle the dispute and release a vibration controller for their new system, but not until almost a year and a half after the PS3 had already been released.
Finally, the most egregious error Sony made was with the price. Whereas the 360 was competitively priced, the PlayStation 3 was anything but. Questionable design decisions, such as their risky gamble to go with their expensive new (and not yet industry standard at the time) proprietary Blu-ray disc format, as well as the inclusion of additional internal hardware to enable backward compatibility for PlayStation 2 games, drove production costs through the roof. This resulted in a significant price disparity between the PlayStation 3 and the Xbox 360, to the tune of 125 to 200%, depending on which models you were comparing. This means that in some cases Sony was asking for twice as much money as the competition, for a system that, to many gamers, was an arguably inferior offering.
Thankfully, despite these regrettable decisions, Sony was eventually able to turn the system's fortunes around. Shortly before correcting their embarrassing lack of a basic vibration controller, Sony pursued an aggressive (and costly) campaign to ensure that their Blu-ray technology did in fact become the industry standard. Then, starting in 2007, Sony also began selling PS3s with revised hardware configurations (such as the lack of an ability to read PS2 discs) in order to bring costs down. All of these measures together, in addition to the ever-increasing strength of exclusives available for the console, managed to change the PlayStation 3's reputation from a largely unnecessary exercise in extravagance to a genuinely compelling and competitive entertainment machine.
That library, in particular, is what we're here to talk about. And while it was a bit difficult to limit this list to just these 12, it's hard to argue that they're not all fantastic titles. So without further ado, here are 12 of the very best reasons to have owned a PlayStation 3:
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As you play and as the world is revealed to you, you will discover that there’s a lot of depth to the plot – if not the characters – and that there’s a whole host of philosophical conundrums beating, like a steady counter-rhythm to the playful platforming.
[Update 3-21]
I've been seeing a lot Net Neutrality articles lately and a lot of them concern FCC chairman, Ajit Pai himself. From news that the NRA has given him an award for, "Protecting free speech" and "saving the internet". To the possibility of Pai being sued for using "The Harlem Shake" in one of his propaganda videos without permission. And the much more positive news of several US states filing their own bills in order to impose Net Neutrality rules on ISP's regardless of what the repeal says.
I just read a piece from ArsTechnica that made me come here for another update because I feel it's worth sharing with you all. The article calls Pai out, a few times in fact, for just outright lying and presenting old information as new and factual all thanks to the new rules -Which, by the way, haven't been imposed yet. I don't know this guy keeps getting away with spewing sewage in the street and calling it gold.
Here's a link to the article from ArsTechnica I highly suggest reading it and it's comments.
[Update 2-26]
Today is the 26th of February and tomorrow the 27th the last major stand against the repeal of Net Neutrality will take place. Fight for the Future is an advocacy group that has put together a hashtag #OneMoreVote in a last ditch effort to bring people together in order to appeal the death of Net Neutrality. In a quote taken from Polygon- "Only one more vote in the Senate is needed to take the case to the House of Representatives, where cosponsors can vote to block the repeal of net neutrality. If unsuccessful, net neutrality will be repealed in April."
This is it folks. Our 60 day grace period since the official FCC vote to repeal is up. Telecomms are already changing policies and if something isn't done, we're just a few days from the new rules taking effect. Check out the links above and get the info you need to get into the fight if you haven't done so already.
Weirdly, Burger King has jumped on board the no repeal train with a really good neutrality analogue. Anyone who still may not understand exactly what's going to happen to the internet should watch the video below. In said video you'll see B.K. playing the role of a telecom who is imposing the new Whopper Neutrality rules upon its customers and it's a pretty entertaining and insightful spot.
[Update 12-15]
As you likely know by now the FCC has voted in a three to two vote to end Net Neutrality. This in itself is a nightmare. But thankfully for those of us who want to keep Net Neutrality alive and kicking we still have a glimmer of hope in this sea of darkness. Read more
Here we go again! It's now the second month of the year, which can mean only one thing: it's time for another round of..."4 IN FEBRUARY!!!" Last year marked my second consecutive year participating in #4iF and it was also my second year of failure. Will this year be different? Who knows? Who cares? For me, it's not so much about the finishing as it is the pure unadulterated fun of participating. So, what's on tap for AJ this year? Let's take a look!
Happy New Year! Wait, is 2017 over already? Well, that was a (bluish) blur! Since another year has come and gone, that means it is time once again for me to share my picks for the top 12 greatest games to come out over the last 12 months. It wasn't an easy job, and it's a safe bet my selections won't resonate with everyone, but I feel pretty happy with them. So without further ado, here are my picks for the 12 best games of 2017.
Well 2017 sure as hell was a year. Could have certainly gone better in many ways, for lots of people. But at least there was no shortage of great art to get lost in throughout the year. These are my favorites across many mediums. And yeah, not as many games as usual this year for me. But damn do I look forward to catching up on this years backlog, gaming had a good year.
Before we dive right into my favorite things though, I do have a couple shout outs.
Paragon is a game so good it could easily be within the top five on my list. But it’s in early Access. I have nothing else to say.
I would have loved nothing more than to include the entire new Foo Fighters album somewhere on this list. But unfortunately the Foo Fighters 8th full length album is too long for its own good. You would think that only barely coming in over 45 minutes would mean they trimmed all the fat off the record, but no. Yeah they’re getting up there in age, so I’m aware all the songs can only go to a certain tempo, and the arrangements can’t be as complicated as they once were, but they should still be creative. There are whole songs that could easily be cut from the album. None of them are bad, and the album as a whole is MUCH better than the god-awful ‘Sonic Highways’ from 2015.
'I, I, I am a river
I, I, I am your river
I, I, I am a river
I, I, I am your river
I, I, I am a river
I, I, I am your river'
Yup. Those are real lyrics from the last album. Repeated about 5 times on the 7 minute song...
But songs like ‘Dirty Water’ or ‘T-Shirt’ just have no business being on the same album album as something like ‘Run’ or ‘Sunday Rain’. While a lot of the records big budget production sound definitely contrasts with the band's famous Lo-fi/Garage Band sound and tone, ‘Sunday Rain’ somehow seems to make them work well together. Much in the same way some of Zeppelin’s later efforts tried to imitate their more budget sounds from the early years.
Concrete and Gold definitely isn’t an overall miss. And songs like this show the band do still have some gems tucked away. But they could have put this record off another year and put together more tracks that would stand out in the discography. So I can’t recommend the whole record yet, maybe next time. But for now, I’ll cherish what I consider a song in their top ten best arrangements. Hopefully this politically charged album (You even named it 'Concrete and Gold', come on Dave you're more creative than that) will be a step back towards better record from this band again. I would hate for Wasting Light to be their last Great album. And maybe one day they'll get a spot on the list. But as it stands this year, they get one song from the record on my honorable mentions.
Well the Oscar nominations haven't been announced yet, but I'll be shocked if this one doesn't get at least a couple at least as a nod. Obviously this movie is a love letter from Hugh Jackman who gives what might be his most human performance I've seen from him in a film, despite being anything but human. Though it's really Stewart in this movie who should get an acting nomination if it has to be one or the other. Call me sentimental but I really think Logan might be the last truly Great comic book film under a Marvel Banner we see for a while. Now that Disney will be calling the shots with basically every property imaginable.
That aside Logan tells a very simple but relatable able story about aging, regret, purpose, and living with who you are. There are no shortage of great films this year though, and if I owned just the script to read I would more than likely include that on my list of things. For now however, I'll stay content with being able to dive deeper on this film when I inevitably re-watch it yet another time.
What a stellar return to form for this band. Now I didn’t mind Rituals at all, I thought it was a pretty sweet record actually, despite being so different for the band. But Nightbringers is easily my favorite of theirs since Nocturne. Songs like Jars and Widowmaker are some of the most fun I’ve had listening to a tune this year. But unfortunately for Black Dahlia Murder, they decided to be like one of 1,000 really amazing albums that came out this year, and I find myself listening to the others on my list far more than Nightbringers and the rest.
Bands change the way the sound, the way they look, and the music they play. I have never understood the notion of a band “selling out” because they decide to play music that sounds completely different from their first album. Let’s put it this way kids, every artist you’ve ever paid money for, be it music or anything else, has sold out. You don’t except a single penny for art you’ve created unless you know you have. No, bands, like people can change over time. I won’t get into the history of Decapitated here, if you want to look through the wiki for a sad story feel free. Short story is they have moved pretty far from their Tech-Death Metal roots and into a more metal-core genre. But I didn’t care when Green Day grew out of being Punk kids, I didn’t care when Linkin Park grew out of being just angst, and I don’t care that Decapitated grew out of being Scary.
This is a fantastic record. 0% filler, and comes in just short enough that when it ends you just want to play the whole damn thing over again. I really wanted this on the list. But it ultimately just didn’t fit.
Okay shout outs went a tad longer but I really liked these things okay! Without further ado, here's the real list:
This movie. Man. Wind River is one of those rare films that actually makes you want to learn more about a horrible situation about real people, in the real world, right after you watch it. Not only is the subject matter super relevant to what’s happening to a certain group of people in today’s world, but Wind River somehow manages to keep you engrossed entirely within itself for its run-time. You may be wondering why I’m not talking about the film’s details, well it’s because I didn’t know much going in to see it either. And I feel like the mystery within this film benefits greatly from that. I knew Jeremy Renner was in it, it took place in a frozen mountain town called Wind River, and I like frozen things and Jeremy Renner. So I went. I had a few people tell me on separate occasions it was really good so I already had some expectations for the film, but my god.
I know I already talked about how Hugh Jackman should get an award for Logan, but if Jeremy Renner doesn’t win a Oscar for his performance here, I’m not sure he ever will. Like I said I’ve always liked Renner as an actor, but I’ve never seen him really disappear into a character before. Well not only does he disappear, he becomes this character.
But the real hero of the film's accomplishment is Taylor Sheridan. Between this film, Sicario, Hell or High Water, and of course his work on Sons of Anarchy, this man is on the right path to become the next Tarantino. I implore you all to find Wind River. However you can see it, make sure you do.
This is a band I didn’t get into until this year (I'm not a big Doom-Metal fan) and was really surprised by how much of their discography I liked so far. But Room of Shadows not only takes the cake as their best by my count, it’s also my second favorite album of the year. This record comes as a very bittersweet note however, as it is the band's last record after their vocalist passed away. As if the music itself wasn’t dower enough, the vocalist was the father of the lead Guitarist. They, along with their fellow band members, had been putting this album together for over 10 years when he passed. Leaving the rest of the band to work with what vocal tracks he had left in his absence, and build the record around those.
And holy shit, I’m not sure anyone could have made a better album under those circumstances. This is a magnum opus beyond compare. Terry Jones' Vocals are on point, and his son Alan's guitar melodies have an incredibly complimentary melancholy that can only be from someone who both wanted to mourn and celebrate his father. I cannot recommend this one enough. It truly belongs on the shelf of any fan of Black Sabbath, Doom Metal, or just great music in general.
Finally out of Early Access, Battlerite steps into the MOBA scen- --no no no--.
Finally out of Early Access, Battlerite steps into the Fighting Game scene with a really cool take on the genre as a whole. Using a top down perspective and 2v2 or 3v3 matches, Battlerite simulates the team fights that you have within games like Dota or League by literally just being about the fight. No random damage, no random chance abilities, no farming to get more powerful, and nothing standing in your way but yourself. Despite having some creative bankruptcy in the level design department, what’s there gets the job done. Leaving all the focus on the fighters you choose and how they interact with your teammate(s). This game is a blast to play.
While it may feel unfamiliar to a few fighting game vets at first, you will soon see there’s not much difference between this and a tag team mode in a 3d or 2d fighter. Just without the tagging in and out part. With a pretty decent free to play option, there’s really no excuse to not give Battlerite a try.
This story comes out Batman Vol.3: Annual #2 (I know comics are weird) and you need to track it down. Lately Tom King has been a powerhouse in the comics industry. It wasn’t enough for the man to provide Marvel with 'Vision', their first book that is really the publisher's only required reading on the same level as DC’s Watchmen. Now King has been doing an excellent run on everyone’s favorite bat-themed superhero. Most of his arcs in the proper Bat book have been good to very good. ‘Date Nights’, and the second half ‘Last Rites’, just might combine to make his best story so far.
I can really only talk about the first half of this book without ruining it, but I may do a single issue review of it at some point. This is really a story worth talking about in more detail, but it’s not like the first half ‘Date Nights’ isn’t a blast all on it’s own. We get too see the relationship between Batman and Catwoman. How her shenanigans find a way into his life, the dynamic chemistry between the two. And of course the obvious cat and mouse game that grows from it.
The art here is just simply stunning. Evoking a classic Batman style with modern sensibilities. The final page of this book will knock you off your feet. Read it, if you can find it.
It didn’t take long for us to start seeing big studios taking hints from The Witcher 3 did it? Between Horizon and Assassins Creed this year, CD Projekt RED’s influence over the open world genre couldn’t be more obvious. Clearly this is a good thing, and Horizon Zero Dawn benefits from the influence in ways that don’t just obviously include the care side-quests are given or the way the environments actually have detail and care put into them.
Thankfully Horizon takes it’s biggest Witcher influence in how the characters you care about actually matter, and world is reflected on your choices tied directly to those characters. I mean I don’t think I need to talk about how incredibly well written the female characters in either game were. And yeah Aloy joins Ciri as one of the greatest characters ever portrayed in a video game.
Plus I mean, robot dinosaurs! How can you not call this one of the best damn games of 2017!?
I should hate, and I mean really hate, the editing in this movie. Most of the shots are roughly the same length, and scenes tend to be similar in length as well. This obviously results in the film moving at a very steady and relatively quick pace from start to finish. Obviously I'm generalizing here, not all shots and scenes are the exact same, but many are similar to each other. I should hate this, but I don’t. Not even a little bit. I think I love it, and I think it’s a large part of what makes this one of the best films I’ve ever seen about youth, family, and coming of age.
The style in which this film is edited makes it almost feel like a slideshow of someone’s life. Especially since a lot of scenes don’t start by leading you into them, instead opting to cast you into a deeply emotional moment within a character's life. The rare times you do get the sense of a scene slowly building toward such a moment, you know it’s going to be even more significant.
I have no doubt this film will be talked to death about in the years to come, and I seriously can’t think of another film that’s anything like it. This is a must see of the highest order, much like many of A24’s films. But while many of the small studio's works can divide audiences, I don't think I've ever met someone who wouldn't like Lady Bird.
Sometimes you read something that doesn’t seen like it should exist as a comic. It feels more like actually events from someones very personal life story. Some parts of which I shouldn’t be looking at. Roughneck is the “story” of an ex-hockey playing superstar from a small town, now the local drunk and all around asshole. But was he ever not an asshole? Or is Derek living out the life he was meant to?
Well he tries to find out after his long gone sister returns to town. If only to escape her abusive boyfriend. But it’s her drug addiction that Derek really needs to help her past. In this story we see the two of them grow close again after years apart, while Lemire shows off what may be some of his best watercolor pieces to date. The near black and white frames use hints of color to accentuate key moments in the story. The only other scenes where the colors really pop, are scenes from the past. Further adding to the insult of what Derek's life has now become. Only able to see the beauty of life when thinking about his past nostalgia.
As Roger Ebert once said, "It's not what it's about, it's how it's about it." Lemire writes and draws this story in such a profound way you will feel exhausted after reading it. The fact the graphic novel seems so easily crafted only ads more weight to how he put this together. Lemire is pretty much the hardest working man in comics right now. So much so it wouldn’t shock me if there were two Lemires. But when his work almost always stays this consistently great across both art and story, it’s hard not to praise the man.
When I first heard that Warner Brothers was committing sacrilege by making a sequel to the sci-fi film that practically invented the cult classic, I was furious. Not just because I love the original film like we all do, but because I really felt that ruining some of the mystery of Blade Runner would actually taint the story within it.
Ryan Goslin, Harrison Ford, Denis Villeneuve
But when the director of Sicario, Prisoners, and Arrival was chosen to direct it, I saw a flicker of hope. A flicker that turned into a much brighter light when Hampton Fancher, the original film's screenwriter, would return to write the sequel. It was when Harrison Ford, after years of saying he would never do another, signed on board after seeing the script that I gained some damn high expectations.
So how is it? Well not only is it a rare sequel that retroactively improves the original by leaps and bounds, but it's also a far superior film in my eyes. The questions it asks the audience about the nature of humanity are far more important and interesting than whether or not Deckard is a replicant.
2049 also stands as a magnum opus for long time cinematographer Roger Deakins (Fargo, Shawshank Redemption, No Country For Old Men) who will most likely get his 14th nomination for his work this year. Yet a film can be beautiful and still fall flat, thankfully the screenplay never lets up. Nor do the incredibly stellar performances from really everyone.
Ford gives maybe his best acting performance in recent memory, he's actually awake for this one guys. Every actor really walks away with something they should be proud of.
This is not only the best sci-fi film of the year, it may be the best of the decade. I really thought this was going to be the director's first bad film. Well not only is it of the same incredibly high caliber quality, I think it's his best one yet.
****. Just, ****. You ever watch the movie ‘Up’? Love feeling like you want to die after the first ten minutes? Well step right up ************, have I got the game for you. Spreading out a similar theme throughout a couple hour long story, Last Day of June is my favorite video game of the year. With some Tim Burton-lite elements and a plot that’s sort of the first act of the book ‘The Time Machine’, this game uses story narrative structure to create a very cool puzzle game.
Without a single word of dialogue being spoken throughout the whole game, the writers evoked some really great emotionally driven elements here. I also need to wholeheartedly recommend the soundtrack for the game, even if you have no interest in ever playing it. And to think the whole concept was based on the art in a music video!!
Truly stunning work all around from a fairly small indy team. When you look at the story as a whole, and all the different ways elements interact, it’s really a very impressive accomplishment. Unfortunately like most games of this nature to talk too in depth about even it’s core mechanics would dive a tad too far into spoilers. So you all just need to trust me on this. Get this game. Now.
And now it's time for...
There are too many things. So here's a quick list of other things I want to mention that I liked a lot from 2017!!
Okay I could go on Forever but I wont. So here's the thing I liked the most this year!!
Three of my Five favorite bands of all time are still working today. Two of them released an album this year. It's just unfortunate only one made the list, and the other was Concrete and Gold. Thankfully Converge’s 2017 effort, The Dusk in Us, shows the world why Converge is just as beloved today as they were twenty years ago. This band has a really great habit of releasing albums that eerily feel like Jacob Bannon, the vocalist and album artist, wrote songs about the place I am within my life. Starting back when the album ‘No Heroes’ did that for me in ‘06, Converge has continued to be on my level with each new studio release. The Dusk in Us marks the band’s 9th studio album, five years since their last one in 2012. The wait was more than worth it.
“Our Denial it speaks in tongues, there’s monsters among us.” Much like the rest of the album, the title track speaks to the capacity for evil within the human race. But also how those who can quell it help others shine a light on our own shadows. Even the more abrasive songs like ‘Reptilian’ have this similar Superman-esk aspirations for hope and trophing the better bits of humanity.
“We must lose sight of the Shore to know what courage means. We must lose sight of who we are to know what we can be.”
It's been a long time since an album I've listened to has closed out with a song as strong as this one.
In year like 2017 where so much of the world became under fear of itself, leaving many to question what the future may hold, it’s great to get art showing how there is hope for those who seek it. While still acknowledging the world’s great ability to hide it. All while creating some of the most fascinating compositions the band has ever created. Even having songs be led with what seems like a drum cadenza for the strings to follow. Especially in ‘I Can Tell You About Pain’ where Koller’s ambidextrous drumming makes itself as clear as day without really having to fill every bar with as many notes as possible.
But if you let that trick you for even a second, think again, Converge still knows what their signature sound is, and can create the catchiest grooves while tearing your face off. All of the above comes together in my mind within ‘Cannibals’, the shortest song on the record.
Opening with an extremely complex blast-beat based arrangement, letting the strings shred a rhythm melody above it while Bannon reminds you of how easy he makes the most complicated vocal noises seem. Only to lead out the song almost as soon as it began with a fun guitar riff while the bass pairs up with Ben on a killer rhythm section. Just pure joy within the darkness. Even the nature of the song title plays against your expectations within itself, “We are all just cannibals if there is nothing left to love.” A fleeting thought about what separates us from our beasts within, changes and races just as rapidly as the song's various tempos.
Every song on this record has just as much and more to dive into and get lost in. Not a single track on the album is a waste of time. Just when you’re bummed how a really great song is ending, the next one starts and you fall in love with it just as fast.
It’s for all these reasons and more that ‘The Dusk in Us’ is my favorite thing from 2017. And I’m about to go listen to it fifty more times.
Happy Birthday, Xbox 360! Believe it or not, today marks the 12th anniversary of the launch of the Xbox 360. Despite a somewhat lengthy initial period of supply shortages, followed almost immediately be several years of technical issues (including drives that would occasionally render game discs permanently unplayable, and, especially, the infamous "red ring of death"), the year-long head start the 360 enjoyed over the competition helped it to become arguably the most popular home console of a generation.
Of course, it wasn't the earlier availability alone that made it such a stunning success. Questionable decisions from Sony and Nintendo with their own PlayStation 3 and Wii consoles, in addition to early commitments by Microsoft to bring scores of fantastic games to the 360, made it the obvious choice for enthusiastic gamers around the world. In fact, not only did Microsoft manage to score several popular third-party franchises that had previously only appeared on the competition's hardware, but they also arranged publishing deals which resulted in the creation of brand new and amazing titles you could only experience on the Xbox 360. Speaking of amazing games, we went ahead and included a few examples of those below. So, read on for a look at 12 of the finest reasons to have ever owned an Xbox 360.
It was announced a couple of days ago now that the free to play Isometric MMO, Marvel Heroes will no longer be supported by Disney as they have "...ended [their] relationship with Gazillion Entertainment...". Of course this quote from Disney doesn't outline any detail toward the situation but does go on to say that Marvel Heroes will "...shut down".
Sad news for those of us who enjoyed the Diablo-esque ARPG for sure but not a huge surprise to those who've kept close tabs on the game its projects. Gazillion have been keeping up with updates and new content related to the newest Marvel movies and TV shows for as long as Marvel Heroes has been around. That support suddenly stopped a short time ago and folks started putting two and two together to make the assumption that there was, at the very least, a serious problem.
In fact servers will shut down on December 31st and in-game purchases are being removed now. That means that for rest of its existence the game will be 100% free to play. R.I.P. Marvel Heroes. You had a decent free to play formula and pretty dang fun game play. I will personally mourn my own Captain Marvel. Together we irradiated and captured countless criminals and villains via her near limitless celestial powers. You will be missed.
Hey everyone. Me again, Scrooloose, with my pick for this weeks game club. This time it's 17-Bit's arcade space shooter, Galak-Z. This one is fun and feels like an old arcade title that you might drop a bunch of quarters in to keep playing. 
Battle alien space bugs and run missions for command while earning upgrades for your little space ship in ever increasing difficulty levels of play. It's $10 on Steam and if you want to join us in playing that'd be great. I'm sure there are plenty of Let's Play videos out there as well if you don't feel like spending the money. Goodness knows I feel that.
Windows:
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Mac:
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SteamOS / Linux:
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